Former homicide detective Joe DeFranco poses as an art dealer to hide his covert mission to ferret out the source of bogus Pre-Colombian artifacts for the FBI Art Crime Division. Two weeks of luxury cruising from Key West to Lima, Peru – that’s what Saint Morley University alumni were promised. Within days, two are dead and a crewman is found murdered in a lifeboat. Joe is charged with finding the killer before he can strike again. Thrown into the murky black market art world, Joe is forced to ask the question: What’s more important? –Catching the bad guys or preserving a culture’s heritage for posterity?
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